Why these films are ours to publish

Every film we restore has a rights basis on record. Here is each one, in full — along with the ones where the answer came back no.

Before we touch a film we establish that it is in the public domain in the United States, and we write down how we know. That means the registration number where there is one, the renewal volumes searched and the years they cover, and the reference works consulted. It is tedious work and it is the reason we can add an audio description track at all: a license lets you show a film, not change it.

Sometimes the answer is that we may not. Three of the films below are on public domain lists everywhere and are in copyright until the 2050s, and those pages are here for the same reason as the rest: a record that only ever agreed with us would be worth nothing.

We publish the working because a claim without it is worth nothing. If you are trying to answer the same question about the same film, take what is useful.

76 films researched so far.

27 that are not free, whatever you have read

Each of these is on public domain lists all over the internet, and each of them is in copyright. We do not publish them. The registration numbers are on the pages.

Most of them were renewed by the same three parties, between 1984 and 1987 — who renewed the films everyone thinks are public domain.

Films we publish, and the working behind each one

Films we checked but have not published

Cleared on the record, and researched the same way, but not restored by us yet.

Every record here exists because we wanted to restore the film and write an audio description for it. We do that on commission too: audio description and captioning, with published rates.