All rights records

Is Bloodlust! (1961) public domain?

The copyright record for this film, written out in full so you can check it.

Public domain in the United States

What is usually said

The Most Dangerous Game again, with teenagers, and freely posted.

The finding, and the working behind it

Public domain in the United States: no renewal exists. The renewal class returns 134 records on "blood" and none is this film.

A hundred and thirty-four renewal registrations contain "blood" in the motion picture class. The count is exact, the whole set was read, and this film is not in it.

"bloodlust" itself returns nothing, and that was not treated as a finding. The broader word is the one that carries evidence, because it is common enough to be present if a renewal existed under any spelling of the title — with the exclamation mark, without it, or as two words.

It is worth reading beside The Most Dangerous Game, which we also hold and which is also clear. Richard Connell’s 1924 story is the source of both, and it is public domain on age.

The register, as it stands

Original release
1961, Crown International Pictures
Renewal fell due
1988 or 1989, the twenty-eighth year
Renewal found
none
Search
"blood", renewal class, motion pictures — 134 records, all read
Checked
7 September 2026
Searched
2026-09-07

What this search does and does not cover

The renewal registrations for the film. Music and any separately registered material were not searched here.

How to check this yourself

Everything above is drawn from public records. None of it requires our word:

Where these numbers came from

What this does and does not mean

This is a finding about United States copyright, made in good faith from the public record. Copyright terms differ by country, and a film in the public domain here may still be protected elsewhere.

A negative search proves that no record was found, which is not identical to proving that no record exists. The Copyright Office says as much about its own catalogs. Where a search could not be decisive we say so above rather than rounding it up to certainty.

This is a record of research and not legal advice. If you hold a right in this film, or you think we have read the record wrong, write to mike@tapeterritory.com with what we missed and we will correct it here.

Why we did this research

Establishing what may be published is the first step before restoring a film and writing an audio description for it. That is what this site is for, and we do the same work on commission — audio description and captioning, with published rates.