All rights records

Is The Wasp Woman (1959) public domain?

The copyright record for this film, written out in full so you can check it.

Public domain in the United States

What is usually said

A Roger Corman picture, and Corman pictures are assumed free as a category. Some of them are not.

The finding, and the working behind it

Public domain in the United States: no renewal exists. The renewal class returns two records on "wasp" and neither is this film.

Two renewal registrations contain "wasp" in the motion picture class, the count is exact, both were read, and neither is this film.

The category assumption is the thing to distrust. Corman produced or directed a great many pictures and they do not share a rights history: A Bucket of Blood and Last Woman on Earth are clear like this one, and other titles from the same circle were renewed in the 1980s by parties with no connection to the original production. The only way to know is title by title.

The register, as it stands

Original release
1959, Filmgroup / Allied Artists
Renewal fell due
1986 or 1987, the twenty-eighth year
Renewal found
none
Search
"wasp", renewal class, motion pictures — 2 records, both read
Checked
7 September 2026
Searched
2026-09-07

What this search does and does not cover

The renewal registrations for the film. Separately registered music or underlying material was not searched here.

How to check this yourself

Everything above is drawn from public records. None of it requires our word:

Where these numbers came from

What this does and does not mean

This is a finding about United States copyright, made in good faith from the public record. Copyright terms differ by country, and a film in the public domain here may still be protected elsewhere.

A negative search proves that no record was found, which is not identical to proving that no record exists. The Copyright Office says as much about its own catalogs. Where a search could not be decisive we say so above rather than rounding it up to certainty.

This is a record of research and not legal advice. If you hold a right in this film, or you think we have read the record wrong, write to mike@tapeterritory.com with what we missed and we will correct it here.

Why we did this research

Establishing what may be published is the first step before restoring a film and writing an audio description for it. That is what this site is for, and we do the same work on commission — audio description and captioning, with published rates.