All rights records

Is Impact (1949) public domain?

The copyright record for this film, written out in full so you can check it.

Public domain in the United States

What is usually said

Public domain, never renewed.

The finding, and the working behind it

Public domain in the United States: registered LP2266 in 1949, with the registrations either side of it renewed and this one passed over.

The bracket here is as tight as this method ever gets. The renewed L22xx numbers in the 1976 and 1977 volumes run L2256, L2258, L2264, then a gap where 2266 would be, then L2267, L2273, L2274.

L2264 was renewed. L2267 was renewed. L2266 was not. That is the Scared to Death pattern from the first research pass, and it is the strongest form of evidence this method produces — not an absence, but an absence inside a run of presences.

The word “impact” does occur in those volumes, but only in phrases like “front end impact” and “impact energy absorbing bumper”, which are industrial films. Cardinal Pictures appears nowhere.

The register, as it stands

Original registration
LP2266, (C) Cardinal Pictures, Inc., 1 April 1949 (notice date 1948)
Production
Released through United Artists, presented by Harry M. Popkin
Renewal fell due
1976–1977
Renewal found
none
Searched
2026-09-01

How to check this yourself

Everything above is drawn from public records. None of it requires our word:

Where these numbers came from

What this does and does not mean

This is a finding about United States copyright, made in good faith from the public record. Copyright terms differ by country, and a film in the public domain here may still be protected elsewhere.

A negative search proves that no record was found, which is not identical to proving that no record exists. The Copyright Office says as much about its own catalogs. Where a search could not be decisive we say so above rather than rounding it up to certainty.

This is a record of research and not legal advice. If you hold a right in this film, or you think we have read the record wrong, write to mike@tapeterritory.com with what we missed and we will correct it here.

Watch it

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Why we did this research

Establishing what may be published is the first step before restoring a film and writing an audio description for it. That is what this site is for, and we do the same work on commission — audio description and captioning, with published rates.