Our work
Every title is free to watch, and free to check.
We do not have a showreel. We have the finished films, published in full, with the description written and recorded in our own studio and the working shown for each one. Play them, download the caption file, read the rights research.
Somebody independent lists this work
Every described film here is in the American Council of the Blind’s Audio Description Project directory — one of 25 providers in it, alongside Netflix, Prime Video, Disney+ and Apple TV.
See the titles in their directory — their site, their filter, not a page we control.
We are a listed provider, not a partner or an affiliate of the ACB, and we claim no endorsement from them. They list what meets their criteria.
The films
| Title | Description cues | Also delivered |
|---|---|---|
| A Bucket of Blood (1959) | not recorded | captions, separated soundtrack |
| Angel on My Shoulder (1946) | not recorded | captions, separated soundtrack |
| Bela Lugosi Meets a Brooklyn Gorilla (1952) | not recorded | captions, separated soundtrack |
| Carnival of Souls (1962) | not recorded | captions, separated soundtrack |
| Century 21 Calling (1962) | 65 | captions, separated soundtrack |
| Dementia 13 (1963) | not recorded | separated soundtrack |
| Design for Dreaming (1956) | 66 | captions, separated soundtrack |
| Habit Patterns (1954) | 29 | captions, separated soundtrack |
| He Walked by Night (1948) | not recorded | captions, separated soundtrack |
| His Girl Friday (1940) | not recorded | captions, separated soundtrack |
| Impact (1949) | not recorded | captions, separated soundtrack |
| Inner Sanctum (1948) | 215 | captions, separated soundtrack |
| Kansas City Confidential (1952) | not recorded | captions, separated soundtrack |
| Mr. B Natural (1956) | 67 | captions, separated soundtrack |
| Night of the Living Dead (1968) | not recorded | captions, separated soundtrack |
| One Week (1920) | 183 | captions, separated soundtrack |
| Reefer Madness (1936) | not recorded | captions, separated soundtrack |
| Scarlet Street (1945) | not recorded | captions, separated soundtrack |
| The Amazing Mr. X (1948) | 388 | captions, separated soundtrack |
| The Brain That Wouldn't Die (1962) | 291 | captions, separated soundtrack |
| The Giant Gila Monster (1959) | not recorded | captions, separated soundtrack |
| The Great Train Robbery (1903) | 111 | captions, separated soundtrack |
| The Hitch-Hiker (1953) | not recorded | captions, separated soundtrack |
| The Home Economics Story (1951) | 74 | captions, separated soundtrack |
| The Killer Shrews (1959) | 279 | captions, separated soundtrack |
| The Little Shop of Horrors (1960) | 303 | captions, separated soundtrack |
| The Most Dangerous Game (1932) | not recorded | captions, separated soundtrack |
| The Stranger (1946) | not recorded | captions, separated soundtrack |
| The Terror (1963) | not recorded | separated soundtrack |
| The Wasp Woman (1959) | not recorded | captions, separated soundtrack |
| White Zombie (1932) | not recorded | captions, separated soundtrack |
| Woman on the Run (1950) | not recorded | captions, separated soundtrack |
Each title links to the player, the caption file and the copyright research behind it. Nothing here is a clip or a trailer — every one is the whole film.
How it is checked
The description is written against contact sheets read by a person, then every cue is cross-checked against an object detector run over the film, and the finished master goes through a conformance report covering placement, coverage, pace, loudness and track structure. The services page sets out what that report does and does not establish — including the part measurement cannot settle.