WEBVTT

NOTE
Captions for The Great Train Robbery (1903), timed to gtr-SHIP.mp4 (with the
5.005s Tape Territory card at the head).

NOTE
The film is SILENT and carries no intertitles -- nobody speaks in it, so there
is no dialogue to caption. What a deaf or hard-of-hearing viewer loses is the
SCORE. It is captioned at each change of movement and at the moments the music
itself marks the action.

NOTE
The main title card is not captioned: it is legible on screen, and captions
carry what cannot be heard, not what can already be read.

NOTE
Built to Filmhub's limits -- 43 characters a line, 2 lines, 25 chars/sec,
600 ms to 8000 ms per event, 42 ms between events. Atmospherics may use (parentheses)
 or [brackets] -- Filmhub accepts both and deletes only {} and <>. Verified
with scripts/filmhubcheck.py.

NOTE
The narration on the Tape Territory card (0:00-0:05) is NOT captioned: those
are Mike's words in his own voice and are not guessed at here.

1
00:00:05.110 --> 00:00:11.500
(bold piano fanfare on a nickelodeon)

2
00:00:12.000 --> 00:00:18.000
(the piano drops to a low, tense figure)

3
00:01:50.100 --> 00:01:56.500
(small theatre orchestra: a driving
locomotive rhythm, building)

4
00:02:41.600 --> 00:02:45.500
(sharp orchestral stab and cymbal crash)

5
00:03:45.100 --> 00:03:51.500
(anxious strings, tremolo, screwed tighter)

6
00:04:55.000 --> 00:05:00.000
(the tempo doubles into an agitated galop)

7
00:06:20.100 --> 00:06:26.500
(bright honky-tonk dance-hall piano,
a fast two-step, slightly rushing)

8
00:07:16.000 --> 00:07:21.000
(gunshots crack under the dance tune)

9
00:07:31.000 --> 00:07:35.500
(the piano stumbles and stops dead)

10
00:07:50.100 --> 00:07:56.500
(galloping six-eight, snare rolling,
cornet calling over the top)

11
00:09:40.000 --> 00:09:45.000
(the orchestra breaks into ragged accents)

12
00:10:18.000 --> 00:10:22.500
(everything cuts away to one held low note)

13
00:10:22.600 --> 00:10:25.000
(one hard orchestral hit, then silence)
